Alii Bhat has turned into Millic Lavelorn Chandni when she came to the festive show of the 1981 classics, Umrao yanCurrently, it has been restored by the National Corporate Corporation-National Cinema of India as part of the national mission inheritance, and exceeds June 27 in theaters.
1981, Remember, it was a great year for the echo of the career that with the musical drama that won it, its only national cinema for the sophistication and gravity with which it reflected the titular role. Also decorated the movies that year was Jash Chopra Slide. Morally justified, but emotionally caused by a love triangle, it was a rather controversial film at the time, the dispute that follows the heritage of the film over the decades, given the public assumption that surrounded the drum that perceives the “true”.
https://www.youtube.com/watch?v=s18p4n6svxa
Amitab Bachchan filmed on the front and centers, like amit, an object of desire, connected by duty and torn by love with Jay Bachchan, who plays his wife Shobha. It left the echo to embody the devastating aura of unrequited love when she slipped into Chanden’s shoes, “another woman.”
Chandeni’s trajectory Slide She held the winding road of misfortune and unhappiness, when she found love, lost him to fate, found the courage to return it to several fleeting moments, just to be taken away, the only thing left in her possession at the end, all her grace. And here is the master.
The history of cinema, home -grown and foreign, decades at the end, painted another woman in fairly comfortable shades. Loneliness, seductive and immoral, her selfishness only imagined to represent temptation and debris, themes that were embodied in how she presented herself. Now in the language of cinema, the immorality that the second woman seeks to represent, just as sacred as the moral that the wife prevails. And here the iconoclash wins the echo of Chandeni. Well, Chandni does not really “win”, but her presentation in front of the audience – most of it, by the way, was curating the echo itself – goes a great way, emphasizing the complexity of the second woman.
Bold red, Rani Pinx, Luxury Atlas and thin bling may seem not great but in context Millic Chandeni, it was very potentially represented by a woman’s arrogance to prioritize her own heart over the impact of society, although his context was and continues to be non -alternatively impeccable. The tulle paths, short -term sleeves of the blouse and neckline, gave hints to the skin, preventing the character descending into the humiliating attributes of the trop. Almost constant painted wines of lips and clearly, the eyes laid out, pushed the same boundaries-all beautifully designed signs with an echo with the challenge of love.
This is not the justification for the justification of another woman-alle monitoring of the sartoria, which is used in order for all such a complete imprint of her bile on the consciousness of the audience. It is an early and seemingly deliberate study of the fashion rebellion.
SlideWith all its mercy and contradictions available for broadcast on OTT.
