New Delhi, inspired by the 2000 Wong Kar-Wai movie “In the Maorder for Love”, the solo exhibition of the contemporary artist Voroto Bang, starting with Wednesday, is a study of love, longing and quiet pain of unspoken emotions.
It is conducted in the gallery of the untouched modern, which was transformed by the famous designer SUMAN Jaiconan with a caused design set, which projects the poetic interaction of light, form and emotions, “the weight of love” acts as a testimony of a deep dialogue between the film and the fine arts.
As in the film, the paintings of Bang unfold in layers, revealing the gaze of tenderness, distance and nostalgia. His canvas are grasped by the weight of tight in the shadow hallways, imbued with the rain and soft glow of neon reflections.
According to the organizer, the exhibition is not only a tribute “in the mood for love”, but also the meditation on how love is delayed in memory, as well as the smell, song or half-rounded dream.
“By distiling the essence of fleeting glances, solitude, and unvoiced years, Bang Challenges the Boundaries Between Film and Fine Art, Inviting viewers Transcends Nostalgia, Offering A Fresh Lens on the Eternal Beauty of Human Connection, “Arjun Sawhney and Arjun Butani, Co-Founders of Gallery Pristine Contemporary, said the statement.
“In the mood for love” with the participation of Tony Leun and Maggie Chung is often considered one of the most beautiful and emotionally resonant films. This is a quiet, painful story of love, anguish and missed opportunities put in Hong Kong in the 1960s.
Bang’s interaction with the film as a source of artistic inspiration puts it into the ancestral of the famous artists who pulled out of the visual and emotional language of cinema.
For example, Atuli Dodia, whose works have recently referred to the films of Ray, uses cinematic stories to deepen the complexity of the story in their paintings.
Similarly, legendary cooperation between Salvador Dali and Walt Disney in the animated surreal short film “Destino” demonstrates how surreal and cinematographic can intersect, expanding the possibilities of visual expression.
“Love weight” will end on May 11.
This article was created from an automated news agency channel without modifications to the text.
